PeterDavid.net

Peter David, writer of stuff and host of this site, suffered a stroke on December 29. Here’s how you can help.

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Originally published September 11, 1998, in Comics Buyer’s Guide #1295

Harlan Ellison told me an interesting anecdote, in relation to the Writers Guild of America’s committee on ageism. The head of the committee, a writer well into middle age, was complaining of rampant ageism in the industry: a very pronounced prejudice against older writers. Another writer, upon hearing this, said, “I know exactly what you’re talking about. I’ve had to deal with that kind of thing, too.” The committee head was skeptical that the relatively young man could have experience with prejudice on the basis of age.

The young writer then related the tale of an appointment he had with the producers of Spin City. He was going to pitch story possibilities, perhaps even be in line for a staff position. He called the day before the meeting to confirm. He was told, yes, by all means, they were looking forward to meeting with him. Then he was asked, “By the way, how old are you?” He was, he told them, thirty-one.

“Oh,” the person on the other end informed him, “Then you don’t have to bother coming in. We’re only looking for people in their twenties.” Keep in mind that the series was created by Gary David Goldberg, who hasn’t seen twenty in several decades.

Talent didn’t matter, experience didn’t matter, knowledge didn’t matter. Old is bad, young is good, and anything which has the slightest taint of “not now” is tossed aside.

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Things continue to improve for Peter slowly.

He can now touch the thumb of his right finger to his pinkie with pretty much normal effort. He has started to type again for limited amount of time. Between that and Dragon Dictate, he is able to get work done. It might not be as fast for him as his pre-stroke speed but he is getting a lot done for various projects.

His gait is returning to normal. He is only using a cane for very long distances. His stamina is returning slowly.

He is bowling again and starting to get his game back in order. He is throwing closer to his average these days.

Each normal activity that he can do is a victory.

And like any recovery we have our good days and our bad days and our OK days.

Next month is a busy one for us. Ariel is graduating from college. We have Phoenix Comic Con at the end of the month and a lot to do the rest of the month.

Caroline is doing fine in school. She is happy to have her ELA and Math tests behind her. She has her math and social studies left. Her flute practice is continuing. She is learning the flute part of the Star Wars theme.

My neck is doing fine, thank you. I am adjusting to things as they happen. I had my annual wellness visit and, after I take some other tests, I will find out if I am “well”.

You, dear reader, can still help us by spreading the word about Peter’s books and other works. We do still have some pretty steep medical bills coming in. The insurance company keeps deciding how much they are going to pay and how much we are going to pay. Just when I think we might be pretty much caught up on things, we get hit with another charge that was sorted out by all the other parties. It does wear one down but with your help I can say that I am not as worn down as I might have been.

Oh, in other forms of excitement, the brakes went on my truck and I managed to get to the service station before they were totally gone but it was pretty scary there. I was the only one in the truck at the time.

I am going to open this up to questions. So ask and I shall answer the best I can. If I can’t answer, I will tell you that I can’t and I ask that you respect that. Yes, you can post again.

Thank you to everyone who has helped us. We would not be here if it weren’t for your help and know that we are very grateful.

Originally published September 4, 1998, in Comics Buyer’s Guide #1294

The past couple of columns, we’ve discussed aspects of, and moments in, comic history. I rattled off about a dozen or so examples of what I perceive as some of comics’ most “memorable moments,” all of which occurred—as will come as a great shock, it seems, to many modern readers—at a time that pre-existed not only their interest in comics, but their birth.

What we’re seeing, when we witness the sort of shortsighted displays as Wizard‘s 25 most memorable moments in comics history, almost none of which occurred earlier than 1979, is the sort of massive blind spot which is rampant throughout not only comics readership, but throughout much of the country. It is the belief that history doesn’t matter. More—that it’s boring. Irrelevant. That whatever happened before, it can’t possibly compare in quality, style or importance with what’s happening now.

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Originally published August 28,1998, in Comics Buyer’s Guide #1293

Before we continue with the thread of last week’s column, I have a bit of business to attend to, so bear with me.

It has come to my attention that there was a guy running around on message boards and DC Comics websites masquerading as me. He has been discussing upcoming events in books of mine (meaning he reads Previews, I suppose) and has also been badmouthing the work of pros such as Grant Morrison. This is not grief I need.

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We’re experiencing some very heavy load on the servers here, and we’re taking comments offline for a while so we can deal with the problem. There may be other unannounced outages here in the next 48 hours or so. We’ll keep you posted.

Originally published August 14, 1998, in Comics Buyer’s Guide #1291

And now we bring you the musings of Phyllida Archer-Dowd, co-founder of the Children’s Protectorate Council:

It is my sad duty to report that the Disney organization has spiraled even further into the depths of degradation, shattered family values, and outright poor messages that have epitomized the organization’s animated features over the past years. One cannot help but have low expectations for a company that endorses sodomy, after all. (How else to explain the appalling company policies which have led to the quite-proper boycotts organized by our Baptist friends?) Certainly Disney’s recent animation outings have underscored the continued erosion of the once-family-friendly foundations that once epitomized the company. The Hunchback of Notre Dame, with its intense perversion of religious imagery and relentlessly dark tone, was absolutely horrid. Hercules was a film focusing on the adventures of ancient and discounted deities who have no relevance to today’s Christian society and certainly can only cause confusion in young children who are presented with the story-book Olympians as “gods.” It is left to the parents to try and clean up after Disney’s mess, and the company’s disregard for the difficulties of modern-day parenting is nothing short of horrendous.

But with the advent of Mulan, I’m afraid that we must truly take exception.

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I don’t know where most of you live, plus I have no idea if any of you decided to run in the Boston Marathon. So feel free to use this space to sound off that you’re okay.

PAD